Journal Notes 108-113

Working with People
-a portrait is a collaborative project between the subject and the photographer
-make sure your subject feels at ease and at home


Camera Formats
-you want a balance between having enough detail and being able to respond quickly to your subject
-35mm cameras are best for candid and environmental portraits
-portraits location and subject's belongings can say a lot about him or her


Film Speed
Slow Films (50 to 100 ISO)
-finer grain catures more detail and creates smoother loocking images, which makes them good for formal portraits
-slow films usually mean slower shutter speed


Fast Films (400 to 3200 ISO)
-more sensitve to light, better for candid and environmental protraits
-doesnt capture fine details as well


Black and White or Color?
-black and white can focus the viewers attention on the subject
-most people prefer color
-colors set mood or tone


Lenses For Portraits
-24mm=worst, too close to subject, not flattering whatsoever
-50mm= little less distortion than the 24mm, still not flattering
-100mm= most flattering, near normal perspective, no distortion


Camera Accessories
-tripod=three-legged metal stand on which you can mount your camera
-tripods steady the camera, and help sharpen your shots and concentrate on the best positioning
-cable release=flexible wire, one end of which attaches to the camera's shutter release, lets you change shutter without actually touching the camera
-reflector=anything that will reflect light


Formal Portrait
-simpliest, and only emphasizes the subject and nothing else
-neutral backgrounds


Julia Margaret Cameron
-England, 1815-1879
-started taking pictures at age 48
-got camera as gift from eldest daughter and she soon became obcessed with photography
-self taught and most pictures were dreamlike, romantic paintings of the artists of her time
-today her photos live on, inspiring and influencing well known photographers such as, Alfred Stieglitz and Cindy Sherman